![]() ![]() "I think the only reason negative is because that's where a lot of people stop when it comes to jazz," Joy tells. Reared on Ella Fitzgerald and Sarah Vaughan, the young vocalist climbed the ranks partly via "The Today Show" appearances to become nominated for a golden gramophone for Best New Artist at the 2023 GRAMMYs. ![]() In this regard, perhaps the ultimate “right ” person to listen to is Samara Joy. Her colleague Jo Lawry seconds this: "You're listening to the wrong people, or you're listening through the wrong ears." "In order to say that, you have to be disconnected from Hollywood cinema, disconnected from the history of Broadway shows, disconnected from artists like Duke Ellington and Fats Waller ," jazz vocalist Catherine Russell, who has been nominated for two GRAMMYs, tells. But to any number of musicians themselves, the notion of getting rid of them altogether inspires horror. Ban them for 20 years, like a controlled burn in a forest, and see what sprouts in their place."įreeman made that proclamation through the lens of predatory business practices - a very real problem throughout jazz history. In 2021, jazz critic Phil Freeman set off a Jazz Twitter brushfire with this take : "F- standards. In this sphere, which often prizes forging ahead over perceived inertia, the Songbook has haters.Ī simple Google search for "reddit hate jazz standards" will reveal that peanut gallery - one ready to throw Songbook stalwarts such as "Come Rain or Come Shine" in the garbage. The Songbook is one component of the jazz-standard repertoire therein, showtunes mingle with instrumental classics by Duke Ellington, Thelonious Monk, Clifford Brown, and other titans. John (1989's In a Sentimental Mood ) continued to embrace the form to transcendent effect. But jazz-influenced artists from Willie Nelson (1978's Stardust ) to Dr. But these days, many seem ready to close it for good.įor the sake of argument, let's define it as a venerated patchwork of jazz standards, popular songs and showtunes from the former half of the 20th century one prominent author supposes that it met its commercial Waterloo as the 1940s met the '50s.Īfter the rock 'n' roll revolution and the creative fireworks of the '60s, critics generally viewed Great American Songbook albums by pop and rock artists with a jaundiced eye. The Great American Songbook is an unquestionable bedrock of pop, rock and jazz.
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